He adds that his Spanish was “on point.” Tony does note that Bey isn’t the first non-Latino emcee to rap in Spanish, but understands how he may have inspired the rhyme scheme.
Touch explains that “ laid his verse before anyone and we just went in that direction.” Bey wrote his Spanglish verse alone, and the Nuyorican DJ attributes part of the inspiration to Bey’s then marriage to Maria Yepes. Pretty Flacko (one of Yasiin Bey’s 10 nicknames, and the inspiration for A$AP Rocky’s nom de plume) weaved in and out of Spanish and English for almost a minute on the Maseo-produced track – again, another unplanned event. Being that he was a Native Tongues affiliate, it all made sense,” he reveals. “I knew I wanted on the album, but I wasn’t sure where to place him. “I guess I bring it out of them since the rap community views me as a Latino icon.”Īccording to Touch (né Joseph Anthony Hernández), the song was only going to feature De La Soul and not Bey, but it all “came together at the last minute” at the legendary D&D Studios in NYC. ” “I was definitely blown away,” Tony Touch told Remezcla over email. He confidently spit, “Y’all niggas wack in one language son/I’m nice in two. On “What’s That? (Que Eso?),” Bey set out to prove that his four years in “Spanish 1” were not spent in vain. On The Ecstatic, he recorded an entire track in Spanish titled “No Hay Nada Mas.” Growing up in New York definitely played its part, but it all started 16 years ago, when one of his earliest bilingual wordplays was caught on wax in Nuyorican DJ Tony Touch’s album The Piece Maker. On the Black Star track “Respiration,” a woman whispers, “Escúchela, la ciudad respirando.” It’s Bey’s way of paying homage the diverse sounds and communities he was exposed to growing up in New York City. He did release a few tracks during his time touring and living abroad, but nothing that came close to a full-length project featuring new material.īack when he was Mos Def and churning out tracks left and right, Bey openly expressed his appreciation for the Spanish language. Yasiin Bey, born Dante Terrell Smith, hasn’t put out a studio album since the 2009 Grammy-nominated The Ecstatic. Nor has he starred in a film role since 2013’s Life of Crime with Jennifer Aniston. “It’s an honor to be able to present real hip-hop music that the Latino community can embrace.” At the 6:40-minute mark, he flipped the hip-hop world upside down with just 19 words: “I’m retiring from the music recording industry as it is currently assembled today, and also from Hollywood, effective immediately.” Yes, the Brooklyn-born emcee had been living in South Africa for the past few years, but his telenovela (he really said this) ordeal is not what got our attention. In it, Bey threw in his own remix to “No More Parties In L.A.,” talked about deportation threats from the South African authorities for using a “world passport,” and shared that the country’s government is making false claims against him. Muddled in the midst of Kanye West’s sporadic and lengthy tweets from earlier this year was a single message from Yasiin Bey (fka Mos Def).
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